With an impossible-to-pinpoint, laid-back lo-fi sound incorporating Byrds-esque harmonies, elegiac folk-picking, and off-kilter instrumentation, Megafaun earned accolades beyond their expectations.

 

 

 

A programme that allows us to compare various itineraries through the history of the genre in the Russian arena, from new spirituality (Pärt, Gubaidulina) to microtonalism (Wyschnegradsky), going through virtuosism of strong dramatic impact (Schnittke). At the same time, we will enjoy two premieres for us two of the Catalan composers with the greatest international projection.

 

 

 

 

 

 

 

 

 

Special spectacle, flamenco and tapas. The price includes a selection of cooked meat, bread and tomato, some cheese, patatas bravas, fried peppers, Aldalucian squid and sangria, red wine and water. Followed by coffee and dessert.

 

 

 

 

 

 

 

 

 

Back to the 60s Jungle Cub.

 

 

Presenting the VIII season of concerts entitled "Monumental Music", with Manuel González, an institution of Spanish Classical Guitar.

 

After the bombing suffered by Vienna from the Napoleonic troops, Beethoven seemed to move away from that terrible situation and the personal drama of his now obvious deafness by writing a grandiose, lyrical work. Here he expresses artistic freedom beyond conventions, a genuinely romantic attitude. And in the 20th century, months after the death of Stalin, Shostakovich wrote his Symphony no. 10. Here, like Beethoven, he expresses his desire of freedom and also makes a grotesque parody of the dictator in a passage. The pianist Javier Perianes, one of the most outstanding performers of current times, will be the soloist in the brilliant “Emperor”.